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The Utopia of Film: Cinema and Its Futures in Godard, Kluge, and Tahimik (Film and Culture Series) By Christopher Pavsek
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Review
An impressive book people will read for all kinds of reasons, academic and otherwise, not least of which is its bold proposal that the future is unthinkable without cinema.
(Richard Dienst, author of Still Life in Real Time: Theory After Television)... Pavsek renews our faith in the utopian possibilities of truly political art.
(Patrick Reagan, Yale University Screening the Past) Review
Based on significant research and archival work, Pavsek presents new material and theories out of which he draws original insights and conclusions. He handles opaque and theoretically dense material with an ease and familiarity that renders it accessible and fascinating.
(Nora M. Alter, Temple University)The Utopia of Film creates ingenious bridges among three remarkably different filmmakers, vividly and convincingly arguing formal and spectatorial strategies aimed at transforming not just cinema but contemporary culture.
(Timothy Corrigan, University of Pennsylvania)At a time when older conceptions of political film have become outmoded, if not forgotten altogether, Christopher Pavsek unexpectedly reinvents this form through his pathbreaking examination of three neglected but extraordinary filmmakers. The Utopia of Film is a revelation and a resource.
(Fredric Jameson, Duke University) About the Author
Christopher Pavsek is associate professor of film in the School for the Contemporary Arts at Simon Fraser University in Vancouver. His films include The One and All (2002) and To Those Born After (2005), and he is the translator of Alexander Kluge's Learning Processes with a Deadly Outcome.
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