The Workbench Guide to Jewelry Techniques, by Anastasia Young

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The Workbench Guide to Jewelry Techniques, by Anastasia Young

The Workbench Guide to Jewelry Techniques, by Anastasia Young


The Workbench Guide to Jewelry Techniques, by Anastasia Young


Free Ebook The Workbench Guide to Jewelry Techniques, by Anastasia Young

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The Workbench Guide to Jewelry Techniques, by Anastasia Young

This comprehensive and ambitious workshop reference for jewelers brings together a vast range of skills, techniques, and technical data into one volume. Offering detailed explanations and step-by-step photography to demonstrate procedures, this handbook includes a complete reference section featuring tool shapes, an index of gems, a glossary, standard sizes and measurements, conversion tables, and an extensive list of resources. Additionally, the manual offers a directory of tools and materials--including a key to identifying tools for a "beginner's kit"--a historical introduction to jewelry, and suggestions for photographing and promoting completed pieces. Remarkable cutting-edge pieces by jewelry makers and designers from around the world are used to illustrate the various processes involved in creating exceptional jewelry. Covering everything from traditional metalsmithing skills and using alternative materials, such as plastics and resin, to discussing issues involved with outsourcing work to specialist external suppliers, this is an indispensable and essential resource for both students and professionals.

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Product details

Hardcover: 320 pages

Publisher: Interweave; 1st edition (April 1, 2010)

Language: English

ISBN-10: 1596681691

ISBN-13: 978-1596681699

Product Dimensions:

8.7 x 1 x 10.1 inches

Shipping Weight: 3.1 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

95 customer reviews

Amazon Best Sellers Rank:

#269,531 in Books (See Top 100 in Books)

A few months ago I purchased Complete Metalsmith: Professional Edition by Tim McCreight. As much as I love his book, I love this one even more.This is a beautiful book with gorgeous photographs and a wealth of information. I've been a Silversmith for about 15 years and even I learned some new tricks and techniques.This book, along with Tim McCreight's Complete Metalsmith is a must have for any metalsmith's library. But if I had to choose between one or the other, this is the one I would choose.I'm a huge "How To Book" reader and most How To books fall short of what I'd like to see in them, but this one actually surprised me by giving me more than I expected.Love it!

This is a well-organized encyclopedia of jewelry techniques. If you're looking for a book with "projects", this is not the book for you. What it does do is show specific steps of many different techniques in jewelry making. Many of the techniques covered lean more towards metal work (rings, bracelets, bezels, etc.), but has a lot of useful information, no matter what kind of jewelry artist you are. The techniques are shown, step-by step, with photos showing the process, as well, and it's a fantastic addition to my growing library. I highly recommend it. This book answered my questions about the differences between and the uses of various tools, metals, and they "whens", as well - when would I use this technique, and why this tool, or metal, or stone, as opposed to something else. I learned a ton just skimming through it, and it will be a go-to for years to come, I know.The book begins by going over the safety basics for protective equipment, using machines safely, working with heated metal, and using and storing chemicals. It goes on to give a brief history of jewelry.Next, the "meat" of the book:Chapter 1: "Work Space and Tools, and Materials": This chapter covers a wide range of tools and equipment, how to set up your workspace, health and safety equipment, and a section on materials like precious metals, base metals, other types of metals, natural materials, synthetic materials, and gemstones. I love that the author explains the differences between and the uses for the different types of metals, and why one would choose to use one over the other. She also shows pictures of each of the tools/machines she talks about, their function, and the techniques they are useful for. She reiterates the use of safety equipment; bringing awareness to what type of safety equipment is appropriate for what job. She takes you step by step through the process of the techniques she covers, with pictures to illustrate the steps. She covers steps for the technique, but doesn't present a "project" as a context for the technique - the author assumes you have a project in mind that you want to do, and shows how to do a lot of different techniques that could help you accomplish your project. This is very much an encyclopedia and a reference manual for someone who maybe hasn't taken a lot of classes or for someone who doesn't want to hunt down a technique on YouTube. It's also great for the serious beginner or hobbyist. It's well cross-referenced, too, so if you're looking at a tool, it's cross-referenced to a technique, and visa-versa.Chapter 2: "Techniques". This chapter mostly focuses on metalworking techniques (the core techniques used, construction, forming, steps to create mechanisms for catches, latches, chains, clasps, and hinges, etc., color and texture, and stone setting). At the end of the chapter, there is a section on stringing and knotting beads, and when to "outsource" your work for specific techniques or processes that require highly specialized skills.Chapter 3: "Design": This chapter covers inspiration, drawing (and the different kinds of drawing, from "life-studies" to design ideas, to technical drawing, and "presentation" drawing), and takes the reader through how to develop a design. it's a short, but very informative chapter.Chapter 4: "Going Into Business": This chapter covers photography & promotion of a finished piece. It also covers selling and exhibiting your work. For those who are considering selling their work, it is a helpful overview of going into business, determining cost and pricing, and what type of jewelry artist you are, and where you might want to show or exhibit your work, whether it be online, in a gallery setting, etc. It covers how to show your jewelry in various settings/situations, as well. (Again, a short chapter, but good info.)Chapter 5: "Reference": This chapter covers gemstones, metric and imperial conversions, tool shapes, standard sizes for rings in a chart that shows U.K., US, and Europe sizing. There's a glossary of terms, and a useful section on Suppliers and Services for some of the materials and tools used in the techniques covered in the book. There's also a "Further Reading" section, that lists books, magazines, websites, galleries, fairs and institutions as well as an index.In short, love this book, and I'm glad I made the investment!

I really love that the book is in color and comes at a decent price. The thing I did not like about this book is that it does not have all the steps clearly defined when making the items. I tried to make a bracelet that was described, which involved bending some thick wire and hammering the corners to make a cool, boxy bracelet, but ended up bending the bracelet the wrong way so it did not come out properly. This book has some nice projects, but may require some extra knowledge and thinking through to fill in the gaps.

As many reviewers have already stated, this book makes a great addition to your jewelry-technique library.While I found it lacking in some details (mostly the "nitty gritty" of specific techniques), for the size of the book the author certainly crams in a lot of concise information. There is no shortage of clear, insightfully selected photos. I chose the book for metal techniques and found it contained all manner of media - plastics, for instance (her pages on kiln-heated acrylic bangles have me very tempted).Also helpful are the sections toward the back, which touch on "less interesting" practical advice like exhibiting/shooting your work, promoting, and a reference section. I found her section on beading rather helpful - doing metal I have been fairly in the dark regarding what type of threads to use and which knotting methods work best when including strands in my work. While I never would have purchased a beading book, Young's pages on it have me much more confident in that area. It's things like that which make this a very valuable book to have around. I didn't jump right in to reading it when I first purchased it, but I've found that during the past year it's constantly been referred to.From the viewpoint of a mixed-media/primarily-metal beginning jeweler, I'd recommend this book combined with Tim McCreight's Complete Metalsmith and Carles Codina's The Complete Book of Jewelry Making. Neither of the latter books are "complete" but they're still wonderful.And if you're interested in plastics, I just picked up Codina's The New Jewelry at the library - might buy that one! It's got some fantastic ideas for resins (if you own some basic sanding/buffing equipment).

This book is not really a step-by-step guide but more of a reference book detailing many different tools, techniques, and materials. I highly recommend it in addition to other more directive books. It's beautifully laid out with many great color images. Design of the book is awesome and I'm really happy with this purchase.

Perfect for Beginners but anyone with experience will quickly run out of run way if you get my drift.I would give this 5 stars if this was my first book as a beginner but since I've been at this for a while I find it less useful.Seems to attempt to be like a mini, modern Jewelry: Concepts And Technology by Untracht.

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